{"title":"Audio Other","description":"","products":[{"product_id":"used-digiflex-12-75-split-5-audioother","title":"Used Digiflex 12-75-SPLIT-5 Audio Other","description":"\u003cp\u003e75' 12 chan snake with 5' split snake\u003c\/p\u003e","brand":"Digiflex","offers":[{"title":"Default Title","offer_id":41496048238753,"sku":"12755","price":650.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/12-75-SPLIT-5_1.jpg?v=1642723733"},{"product_id":"used-digiflex-24-100-split-audioother","title":"Used Digiflex 24-100-SPLIT Audio Other","description":"\u003cp\u003e100' 24 chan snake \u0026amp; split\u003c\/p\u003e","brand":"Digiflex","offers":[{"title":"Default Title","offer_id":41496052072609,"sku":"24100","price":1200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/24-100-SPLIT_1.jpg?v=1642723763"},{"product_id":"used-teac-ad-500-audioother","title":"Used Teac AD-500 Audio Other","description":"\u003cp\u003eCassette \u0026amp; CD player\u003c\/p\u003e\n\n\u003cp\u003eTeac AD500 Overview\u003cbr\u003e\nNothing is better for transferring CDs to Cassette than the AD500 from Teac.Ê With features such as Dolby B Noise Reduction, Auto Reverse, Continuous Playback from deck to deck and CD Sync recording, the AD500 is the perfect add-on component for your home system. The AD500 also has pro features like volume control for the Headphone out and ±12% pitch adjustment on tape deck.\u003cbr\u003e\nCD\u003cbr\u003e\nSupports CD and CD-R\/RW Disc\u003cbr\u003e\n20-selection Random Memory Program Play\u003cbr\u003e\nRepeat (1\/ALL\/Program\/A-B), Shuffle, Intro Play\u003cbr\u003e\nAuto Space\u003cbr\u003e\nCassette Section\u003cbr\u003e\nAuto Reverse Cassette Deck\u003cbr\u003e\nPitch Control\u003cbr\u003e\nDolby B Noise Reduction\u003cbr\u003e\nCD Dubbing\u003cbr\u003e\nCPS (Computomatic Program Search)\u003cbr\u003e\nTimer Recording, Timer Play\u003c\/p\u003e","brand":"Teac","offers":[{"title":"Default Title","offer_id":41496058298529,"sku":"-500","price":100.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/AD-500_1.jpg?v=1642723825"},{"product_id":"used-tascam-da-30mkii-audioother","title":"Used Tascam DA-30MKII Audio Other","description":"\u003cp\u003eRackmount DAT Machine\u003c\/p\u003e\n\n\u003cp\u003eType: digital audio tape deck\u003c\/p\u003e\n\n\u003cp\u003eTrack System: 2-channel stereo\u003c\/p\u003e\n\n\u003cp\u003eTape Speed: 4.075, 8.15, 12.225 mm\/s\u003c\/p\u003e\n\n\u003cp\u003eRecording Time: 240 minutes\u003c\/p\u003e\n\n\u003cp\u003eHeads: 1000, 2000rpm, rotary\u003c\/p\u003e\n\n\u003cp\u003eSampling Frequency: 48, 44.1, 32kHz\u003c\/p\u003e\n\n\u003cp\u003eFrequency Response: 20Hz to 20kHz\u003c\/p\u003e\n\n\u003cp\u003eSignal to Noise Ratio: 92dB\u003c\/p\u003e\n\n\u003cp\u003eDynamic Range: 93dB\u003c\/p\u003e\n\n\u003cp\u003eChannel Separation: 85dB\u003c\/p\u003e\n\n\u003cp\u003eTotal Harmonic Distortion: 0.004%\u003c\/p\u003e\n\n\u003cp\u003eDigital Inputs: coaxial, AES\/EBU\u003c\/p\u003e\n\n\u003cp\u003eDigital Outputs: coaxial, AES\/EBU\u003c\/p\u003e\n\n\u003cp\u003eDimensions: 482 x 150.5 x 353mm\u003c\/p\u003e\n\n\u003cp\u003eWeight: 8.5kg\u003c\/p\u003e","brand":"Tascam","offers":[{"title":"Default Title","offer_id":41496077041825,"sku":"-30","price":900.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/DA-30MKII_1.jpg?v=1642723931"},{"product_id":"used-tascam-da-38-audioother","title":"Used Tascam DA-38 Audio Other","description":"\u003cp\u003e3 Available\u003c\/p\u003e\n\u003cp\u003e8 Track Digital Machine\u003c\/p\u003e\n\u003cp class=\"introtext\"\u003eCan Tascam's lean, mean DA38 offer musicians more functionality than the portlier DA88 without compromising on quality — and give the Alesis ADAT XT a run for its money? Paul White investigates.\u003c\/p\u003e\n\u003cp\u003eWhen the budget digital tape‑based multitrack war between the Alesis ADAT and Tascam DA88 finally died down to a mere skirmish, Alesis seemed to come out top in the project studio music recording market while the professional post‑production studios, on the whole, took the Tascam route. The reasons for this apparent demarcation are numerous, but price was obviously a major factor, and for the project studio owner, the lower street price of ADATs was obviously very attractive. The ADAT was also very musician‑friendly when coupled to a BRC remote controller, although the Tascam's much faster spooling speed and longer recording time made it better suited to video‑chasing than the relatively slow ADAT.\u003c\/p\u003e\n\u003ch2\u003e\u003ca id=\"para1\" href=\"https:\/\/www.soundonsound.com\/reviews\/tascam-da38#top\"\u003eEnter The DA38\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eSince then, Alesis have launched the ADAT XT with its faster wind speed and improved front panel functions, but Tascam have taken a different approach; instead of replacing the DA88, they've built a lower‑cost machine using the same underlying technology, and added certain features designed to attract the musician. These include a digital patchbay, allowing any input to be recorded to any tape track without repatching, and the ability to digitally copy audio data between tracks. What the DA38 loses is the ability to directly sync to external sources, though including a single DA88 in a multi‑machine system will provide a means to do so. The DA38 is also less modular than the DA88, so whereas the former can often be serviced in the field by changing boards, the DA38 is more likely to have to be returned for servicing.\u003c\/p\u003e\n\u003cp class=\"nindent\"\u003eIn common with the DA88, the 8‑track DA38 uses 8mm video‑style tape cassettes, and special formulations are now available optimised for digital audio recording. Up to 16 DA38s can be synchronised in a master\/slave arrangement for multitrack recording (giving up to 128 tracks) — and the DA38 will also integrate seamlessly into existing DA88 systems with no compatibility problems. Like its big brother, the DA38 has a shuttle wheel for identifying precise points on tape, and there's an auto punch‑in\/out system with a Rehearse mode and user‑selectable pre‑ and post‑roll for musicians working alone. Punching in or out creates a very short crossfade, so there are no glitches, clicks or gaps. It's also now possible to copy material from one track to another internally, so you can, for example, compile a perfect vocal track by 'cherry‑picking' the best parts from several takes on the other tracks. A small amount of track delay (‑4 to +150mS) can be dialled in to correct timing errors or to change the feel of a piece of music, and in a studio environment, multiple machines can be controlled from a RC848 or RC808 remote control unit. Professional users may be pleased to hear that the machine can be locked to an external Word Clock.\u003c\/p\u003e\n\u003ch2\u003e\u003ca id=\"para2\" href=\"https:\/\/www.soundonsound.com\/reviews\/tascam-da38#top\"\u003eFacilities\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp class=\"nindent\"\u003eSuperficially, the DA38 looks much like the DA88, with its 3U, beige‑coloured front panel. Around the back, you'll find a choice of unbalanced phonos or balanced 'D' connectors for plugging in to either pro or semi‑pro mixing consoles, while Tascam's own TDIF1 digital I\/O connector provides a means of transferring data in and out of the machine in the digital domain. Two further 'D' connectors are fitted for Remote Control\/Sync In and Sync Out. A multipin DIN connector allows you to connect the aforementioned RC808 remote controller, and for hands‑off punch‑in\/out, there's a footswitch jack which accepts the optional RC30P footswitch. This works a little differently to most systems — pressing the footswitch once puts the machine into Play mode, while pressing it again drops you into Record mode on any armed tracks. To end recording, you have to press the footswitch again, or press Stop. I tested this with a non‑latching switch I had lying around and it worked perfectly.\u003c\/p\u003e\n\u003cblockquote\u003eThe sound quality of the DA38 is up to the same very high standard as the DA88.\u003c\/blockquote\u003e\n\u003cp\u003eRecording may be carried out at either 44.1kHz or 48kHz sampling rates, and as with any digital machine, the tape must either first be formatted or formatted at the same time as you make a recording. The latter option is fine for live recording, where it is usual to record the whole tape in one go. I've already mentioned the ability to copy from one track to another in the digital domain for loss‑free compiling, but in a multiple‑machine setup, you can also offset one machine against another, which adds the flexibility of copying audio from one part of a song to another part of the song. This is also possible with ADAT, and is one of the great benefits of a multi‑machine digital recording system.\u003c\/p\u003e\n\u003cp\u003eWhereas an ADAT system will interrogate itself and automatically assign numbers to the machines in a multi‑machine system, DA38 ID numbers have to be set manually, though this is very easy, and need only be done once. Selecting Chase on a slave machine will cause it to follow and lock to the master, and a varispeed range of +\/‑ 6% is available in 0.1% steps.\u003c\/p\u003e\n\u003cp\u003eAnother benefit offered by the DA38 is the 'virtual slave reel' facility, where you can record a rough mix onto one track of a fresh tape and then post it to somebody on the other side of the world who might, for the sake of argument, fill the other seven tracks up with various guitar solos. When you get the tape back, you can transfer the tracks or parts of tracks that you want to keep to your session tapes, knowing that the new guitar parts will remain in perfect sync. Finally, if you have two machines, you can make perfect clones of your important tapes for increased backup security — a good move for anyone using digital recorders of any kind.\u003c\/p\u003e\n\u003cp\u003eFor work involving sequencers, you can of course record timecode onto one track of the DA38 , but this is rather wasteful. A better option if you have an MTC‑compatible sequencer is to use the relatively inexpensive MMC38 which provides MIDI Machine Control. This wasn't available at the time of this review, but is expected to be released later in the summer.\u003c\/p\u003e\n\u003cp\u003eTwo locate points, which can be keyed in or recorded 'on the fly', serve the dual functions of conventional locators and auto punch‑in\/out markers. An auto play mode can be invoked to put the machine straight into play after a location point has been reached, and you can also make the section between two markers repeat, which is a good way of rehearsing a tricky passage. For tuning and calibration purposes, the machine has an internal 440Hz (A) oscillator, and you can record this tone on tape for slating or test purposes.\u003c\/p\u003e\n\u003ch2\u003e\u003ca id=\"para3\" href=\"https:\/\/www.soundonsound.com\/reviews\/tascam-da38#top\"\u003eRecording Options\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp class=\"nindent\"\u003eRecording is very much like it is on an analogue recorder; individual track status switches put the selected tracks into Record mode, then record is initiated from the transport controls, via a remote controller or footswitch, or via auto punch‑in\/out. The shuttle wheel is particularly useful for locating difficult punch‑in\/out locations by ear. As with the DA88, various monitor modes are available to ensure that you always hear what you need to hear at the multitrack outputs. These modes are: All Input, Auto Input, Insert and Shuttle. All Input monitors all inputs regardless of record status, while Auto means that track monitoring is from the tape in Play, but directly from the input in Stop, Wind or Rec Ready modes. Insert is effectively the same as Auto except that in Rec Ready or Play modes, the track output is monitored off tape until Record mode is entered, at which point the track output switches to monitoring the input. The ability to monitor off tape during recording is due to the DA38's 4‑head drum layout. The outcome is much the same as using Auto Record mode on an ADAT — the monitoring switches from what you have on tape to the input signal when you punch into record, so you always hear the right signal over the monitors.\u003c\/p\u003e\n\u003cp\u003eShuttle lets you identify specific points by moving the tape back and forth manually via the Shuttle dial; the shuttling speed is variable from one quarter to eight times normal play speed, depending on how far you turn the dial.\u003c\/p\u003e\n\u003ch2\u003e\u003ca id=\"para4\" href=\"https:\/\/www.soundonsound.com\/reviews\/tascam-da38#top\"\u003eUsability\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp class=\"nindent\"\u003eThough it's quite a while since I used a DA88, the DA38 appears to have exactly the same feel, with a fast, positive transport, and seamless punching in and out. I don't think I'm wrong in saying that the Tascam DA38 and 88 shuttle faster than any comparable competitors by a significant margin. The front panel controls are clearly labelled and uncluttered, and though many of the buttons are dual‑function, the alternate function is clearly labelled in blue and accessed via a latching Shift key. I found the footswitch punch‑in and out option invaluable for recording guitar parts, and Tascam's little twist of using the footswitch to start the machine playing is actually quite useful.\u003c\/p\u003e\n\u003cblockquote\u003eIf you have no requirement to lock your multitrack to external timecode, the DA38 offers virtually all the functionality of the more costly DA88 at a significant cost saving.\u003c\/blockquote\u003e\n\u003cp\u003eI have no reservations about the sound quality of the DA38, which is up to the same very high standard as the DA88, and the metering is both positive and clearly visible. Monitoring is straightforward, and for most purposes it's easiest to leave the machine in Auto Input mode. Shuttle mode is very effective for locating precise points, and though the monitored sound is very 'chopped up' and glitchy, it's still easy to recognise what's going on.\u003c\/p\u003e\n\u003cp\u003eHaving front panel autolocate points is useful, but I feel that only two points is a little restrictive — something like 10 would have been more appropriate. Other than that, these work fine.\u003c\/p\u003e\n\u003ch2\u003e\u003ca id=\"para5\" href=\"https:\/\/www.soundonsound.com\/reviews\/tascam-da38#top\"\u003eThe Bottom Line\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp class=\"nindent\"\u003eWith a street price close to that of the ADAT XT, the DA38 is an extremely attractive machine [\u003cem\u003ejust as\u003c\/em\u003e SOS \u003cem\u003ewas going to press, we heard that the price of the ADAT XT has been cut by £500 to £2699 including VAT — Assistant Ed\u003c\/em\u003e]. However, the main factor affecting a purchase decision is arguably that of compatibility. If you work in an area where the DA88 is already prevalent, the DA38 assures you of full compatibility; but if you're operating in a sector of the music market where the ADAT format predominates, then you need to consider the ramifications. For example, how many projects do you carry through from start to finish, and how many do you either take over when they are part of the way through, or pass on to other facilities to finish? Having made that point, I know a number of project studio owners who use DA88s and who are supremely happy with the marketability of their adopted format.\u003c\/p\u003e\n\u003cp\u003eOnce these questions are decided, the issue becomes clearer, and if you have no requirement to lock your multitrack to external timecode, such as from a video machine, the DA38 offers virtually all the functionality of the more costly DA88 at a significant cost saving. Similarly, if you already own a DA88, a DA38 can be used as a slave machine, which retains the DA88's ability to sync to timecode, so the only remaining area of concern is that of ease of service. While a semi‑pro musician can probably live without a machine for a few days while it goes away for service, the busy professional may find this situation less acceptable. Then again, you could argue that at this low cost, the professional could afford to keep a spare or two.\u003c\/p\u003e\n\u003cp\u003eWhatever your feeling about the two major modular digital multitrack formats, the keen pricing of the DA38 means that you're no longer forced to make a choice of format entirely on the basis of price — the DA38 puts you in the position where you can make the right choice for the right reasons. Whichever way you look at it, this is a very serious machine for the money, and indicates an aggressive marketing thrust by Tascam to gain more ground in the music recording sector.\u003c\/p\u003e\n\u003cdiv class=\"boxout clearfix\"\u003e\n\u003ch2\u003e\u003ca id=\"para6\" href=\"https:\/\/www.soundonsound.com\/reviews\/tascam-da38#top\"\u003eDiagnostics\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eBecause of the error correction systems used in digital recorders to reconstruct recording and playback errors, there is usually little sign of a developing problem before something catastrophic happens. The DA38 helps you keep on top of this potential problem by incorporating an error readout mode which shows the error rate per rotation of the head drum. You can also check how many hours the head drum has been running, as well as seeing how long the machine has spent in fast wind mode. It is recommended that the machine be cleaned every 50 hours or so, and serviced every 500 hours.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"boxout clearfix\"\u003e\n\u003ch2\u003e\u003ca id=\"para7\" href=\"https:\/\/www.soundonsound.com\/reviews\/tascam-da38#top\"\u003eSpecification\u003c\/a\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eTape Type: Hi‑8 ME or MP\u003c\/li\u003e\n\u003cli\u003eRecording Time: 108 minutes with NTSC 120 tape, 113 minutes with PAL 90 tape\u003c\/li\u003e\n\u003cli\u003eFast Wind Speed: 100 times play speed\u003c\/li\u003e\n\u003cli\u003eShuttle Speed: One quarter to eight times play speed\u003c\/li\u003e\n\u003cli\u003eDigital I\/O: TDIF1 (TEAC Digital Audio Interface Format) 25‑way 'D'‑sub\u003c\/li\u003e\n\u003cli\u003eAnalogue Input: Balanced 25‑way 'D'‑sub at +4dBu, plus unbalanced phonos at ‑10dBV\u003c\/li\u003e\n\u003cli\u003eSampling Rates: 44.1kHz and 48kHz\u003c\/li\u003e\n\u003cli\u003eQuantisation: 16‑bit linear\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 20Hz to 20kHz +\/‑ 0.5dB\u003c\/li\u003e\n\u003cli\u003eDynamic Range: Better than 92dB\u003c\/li\u003e\n\u003cli\u003eSignal‑to‑Noise Ratio: Better than 92dB\u003c\/li\u003e\n\u003cli\u003eTHD: Less than 0.008%\u003c\/li\u003e\n\u003cli\u003eCrosstalk: Better than 90dB @ 1kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"boxout clearfix\"\u003e\n\u003ch2\u003e\u003ca id=\"para8\" href=\"https:\/\/www.soundonsound.com\/reviews\/tascam-da38#top\"\u003eAll Of A Dither\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eThe DA38 uses an 18‑bit analogue‑to‑digital quantisation system, but records using only 16 bits, so the incoming data has to be reduced to a 16‑bit format before it can be recorded. It is also possible to feed in audio at 24‑bit resolution via the TDIF1 digital input, but again, this must be reduced to 16 bits before it can be used. If data is simply truncated by throwing away the least significant bits, the resolution of low‑level signals is compromised, so a dithering process is used to maintain the dynamic range at the expense of a slight increase in low‑level noise. Dithering may be disabled by the DA38 user if required, but in virtually all circumstances, dithered audio sounds better than undithered audio.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"proscons\"\u003e\n\u003cdiv class=\"pros\"\u003e\n\u003ch3\u003ePros\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFast, smooth transport.\u003c\/li\u003e\n\u003cli\u003eExcellent sound quality.\u003c\/li\u003e\n\u003cli\u003eRelatively inexpensive to add MTC and MMC via the optional MMC38.\u003c\/li\u003e\n\u003cli\u003eInternal digital routing and track bouncing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cons\"\u003e\n\u003ch3\u003eCons\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eOnly two locate points.\u003c\/li\u003e\n\u003cli\u003eCan't be synchronised to external timecode unless connected as part of a DA88 system.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"summary\"\u003e\n\u003ch3\u003eSummary\u003c\/h3\u003e\n\u003cp\u003eTascam have retained all the key features of the DA88 except external sync, and even added a few more musician‑friendly functions, while significantly lowering the price.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Tascam","offers":[{"title":"Default Title","offer_id":41496077729953,"sku":"-38","price":400.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/DA-38_1.jpg?v=1642723935"},{"product_id":"used-digiflex-db25-5f-audioother","title":"Used Digiflex DB25-5F Audio Other","description":"\u003cp\u003eCanare L2E5C DB25 to NC3FX DA88 5ÕFanouts\u003c\/p\u003e","brand":"Digiflex","offers":[{"title":"Default Title","offer_id":41496078090401,"sku":"255","price":50.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/DB25-5F_1.jpg?v=1642723939"},{"product_id":"used-digiflex-db25-5m-audioother","title":"Used Digiflex DB25-5M Audio Other","description":"\u003cp\u003eCanare L2E5C DB25 to NC3MX DA88 5ÕFanouts\u003c\/p\u003e","brand":"Digiflex","offers":[{"title":"Default Title","offer_id":41496078418081,"sku":"255","price":50.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/DB25-5M_1.jpg?v=1642723942"},{"product_id":"used-digiflex-dd24-4x-150-audioother","title":"Used Digiflex DD24-4X-150 Audio Other","description":"\u003cp\u003e150' 24 chan snake with 4  XLR returns\u003c\/p\u003e","brand":"Digiflex","offers":[{"title":"Default Title","offer_id":41496079368353,"sku":"244150","price":1300.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/DD24-4X-150_1.jpg?v=1642723948"},{"product_id":"used-digiflex-dd32-8x-150-audioother","title":"Used Digiflex DD32-8X-150 Audio Other","description":"\u003cp\u003e150' 32 chan snake with 8  XLR returns\u003c\/p\u003e","brand":"Digiflex","offers":[{"title":"Default Title","offer_id":41496079925409,"sku":"328150","price":1900.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/DD32-8X-150_1.jpg?v=1642723953"},{"product_id":"used-klark-teknik-dn6000-audioother","title":"Used Klark Teknik DN6000 digital 1\/6 octave analyzer","description":"\u003cp\u003e3 Available\u003c\/p\u003e\n\u003cp\u003edigital 1\/6 octave analyzer\u003c\/p\u003e\n\u003cp\u003eThe ability to monitor and analyse audio systems, regardless of their application, remains one of the most important issues facing engineers. The DN6000 Audio Analyser continues Klark TeknikÕs long tradition of providing audio professionals with the tools they need in the field, with a unique feature set that provides every important analysis function in one roadworthy device. Current SPL is constantly shown on a large red LED display, and measurements may be taken unweighted or with A or C weighting, in 1\/3rd or 1\/6th octave analysis modes, and shown in either peak or average responses. A high-quality measurement microphone is supplied with every (individually calibrated) DN6000, for which a front panel microphone input is fitted. The unit is also provided with dual line level inputs for stereo 1\/3 octave analysis, with sum and differences display options, to allow it to run ÔinlineÕ with a system if required.\u003c\/p\u003e","brand":"Klark Teknik","offers":[{"title":"Default Title","offer_id":41496093261985,"sku":"6000","price":1400.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/DN6000_1.jpg?v=1642724032"},{"product_id":"used-multi-caisses-iso-12-audioother","title":"Used Multi-Caisses ISO-12 12U isolated rack and flight case","description":"\u003cp\u003e8 available\u003c\/p\u003e\n\u003cp\u003e12U isolated rack \u0026amp; flight case\u003c\/p\u003e","brand":"Multi-Caisses","offers":[{"title":"Default Title","offer_id":41496103911585,"sku":"-12","price":400.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/ISO-12_1.jpg?v=1642724136"},{"product_id":"used-sony-mds-b3-audioother","title":"Used Sony MDS-B3 Mini Disc Player Recorder","description":"\u003cp\u003eOnly 1 left!\u003c\/p\u003e\n\u003cp\u003eMini Disc Player Recorder\u003c\/p\u003e\n\u003cp\u003eProfessional Record\/Playback MDS-B3\u003c\/p\u003e\n\u003cp\u003eIntended Purpose\u003cbr\u003eThe industrial use record\/playback MDS-B3 and play only MDS-B4P decks are MD systems for studios and broadcast stations using Minidisc, which has appeared as the next generation audio recording media. Because you can control up to 255 different audio annoucements (not only from the device itself, but externally from a computer, timer etc.), power which has not existed until now is shown in various fields, such as annoucements, background music, programs, information services, singles, etc.\u003c\/p\u003e\n\u003cp\u003eMain Characteristics\u003cbr\u003e¥ Memory Start function\u003cbr\u003e¥ Because during pause the audio is always in the memory and waiting, when the play function is operated, the audio will come out at that instant, with no time lag due to mechanical functioning.\u003cbr\u003e¥ Auto Queue Function\u003cbr\u003e¥ A function that, by detecting the silent area at the head of the track, pauses at the true start of sound (detection at -54dB).\u003cbr\u003e¥ NEXT PLAY indicator\u003cbr\u003e¥ A function that, at program playback time, conveniently displays the next track to play. \u003cbr\u003e¥ Various control functions are possible by way of the power timer, parallel remote terminal, and RS-232C terminal. Functions available from the RS-232 interface (determined by talking to someone at the Sony office who looked in a user manual for me): \u003cbr\u003e_ play\u003cbr\u003e_ pause\u003cbr\u003e_ stop\u003cbr\u003e_ record\u003cbr\u003e_ eject\u003cbr\u003e_ input sync\u003cbr\u003e_ time display\u003cbr\u003e_ preview\u003cbr\u003e_ next\u003cbr\u003e_ queue standby\u003cbr\u003e_ direct jump\u003cbr\u003e_ menu\u003cbr\u003e_ auto pause\u003cbr\u003e_ auto queue\u003cbr\u003e_ ... (one or two others which I didn't catch)\u003cbr\u003e¥ * note that it does not appear to be possible to title tracks from the RS232 interface. \u003cbr\u003e¥ Input\/Output terminals\u003cbr\u003e_ Analog Input XLR-3-31\u003cbr\u003e_ Analog Output XLR-3-32\u003cbr\u003e_ Digital Input RCA pin jack IEC958-TYPE1\/2\u003cbr\u003e_ Digital Output RCA pin jack IEC958-TYPE2\u003cbr\u003e¥ \u003cbr\u003e¥ Remote terminal\u003cbr\u003e_ Pallel remote D-SUB25 pin (female) M2.6mm screw\u003cbr\u003e_ RS-232C D-SUB9pin (male) inch screw\u003cbr\u003e_ cross cable use\u003cbr\u003e_ Baud rate 1200\/2400\/4800\/9600bps\u003cbr\u003e_ Bit length 7bit\/8bit\u003cbr\u003e_ Parity OFF\/ODD\/EVEN\u003cbr\u003e_ Stop bit 1\/2\u003cbr\u003e¥ \u003cbr\u003e¥ Power 100V 50\/60Hz\u003cbr\u003e¥ External Dimensions width 142 x height 132 (141*) x depth 375mm \u003cbr\u003e¥ Accessories\u003cbr\u003e_ Remote Controller\u003cbr\u003e_ RM-DB3\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":41496107188385,"sku":"-3","price":350.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/MDS-B3_1.jpg?v=1642724195"},{"product_id":"used-sony-mds-b4p-audioother","title":"Used Sony MDS-B4P Mini Disc Player","description":"\u003cp\u003e2 Available\u003c\/p\u003e\n\u003cp\u003eMini Disc Player\u003c\/p\u003e\n\u003cp\u003eProfessional use playback only deck\u003c\/p\u003e\n\u003cp\u003eIntended Purpose\u003cbr\u003eThe industrial use record\/playback MDS-B3 and play only MDS-B4P decks are MD systems for studios and broadcast stations using Minidisc, which has appeared as the next generation audio recording media. Because you can control up to 255 different audio annoucements (not only from the device itself, but externally from a computer, timer etc.), power which has not existed until now is shown in various fields, such as annoucements, background music, programs, information services, singles, etc.\u003c\/p\u003e\n\u003cp\u003eMain Characteristics\u003cbr\u003e¥ Memory Start function\u003cbr\u003e¥ Because during pause the audio is always in the memory and waiting, when the play function is operated, the audio will come out at that instant, with no time lag due to mechanical functioning.\u003cbr\u003e¥ Auto Queue Function\u003cbr\u003e¥ A function that, by detecting the silent area at the head of the track, pauses at the true start of sound (detection at -54dB).\u003cbr\u003e¥ NEXT PLAY indicator\u003cbr\u003e¥ A function that, at program playback time, conveniently displays the next track to play. \u003cbr\u003e¥ Various control functions are possible by way of the power timer, parallel remote terminal, and RS-232C terminal. Functions available from the RS-232 interface (determined by talking to someone at the Sony office who looked in a user manual for me): \u003cbr\u003e_ play\u003cbr\u003e_ pause\u003cbr\u003e_ stop\u003cbr\u003e_ record\u003cbr\u003e_ eject\u003cbr\u003e_ input sync\u003cbr\u003e_ time display\u003cbr\u003e_ preview\u003cbr\u003e_ next\u003cbr\u003e_ queue standby\u003cbr\u003e_ direct jump\u003cbr\u003e_ menu\u003cbr\u003e_ auto pause\u003cbr\u003e_ auto queue\u003cbr\u003e_ ... (one or two others which I didn't catch)\u003cbr\u003e¥ * note that it does not appear to be possible to title tracks from the RS232 interface. \u003cbr\u003e¥ Input\/Output terminals\u003cbr\u003e_ Analog Input XLR-3-31\u003cbr\u003e_ Analog Output XLR-3-32\u003cbr\u003e_ Digital Input RCA pin jack IEC958-TYPE1\/2\u003cbr\u003e_ Digital Output RCA pin jack IEC958-TYPE2\u003cbr\u003e¥ \u003cbr\u003e¥ Remote terminal\u003cbr\u003e_ Pallel remote D-SUB25 pin (female) M2.6mm screw\u003cbr\u003e_ RS-232C D-SUB9pin (male) inch screw\u003cbr\u003e_ cross cable use\u003cbr\u003e_ Baud rate 1200\/2400\/4800\/9600bps\u003cbr\u003e_ Bit length 7bit\/8bit\u003cbr\u003e_ Parity OFF\/ODD\/EVEN\u003cbr\u003e_ Stop bit 1\/2\u003cbr\u003e¥ \u003cbr\u003e¥ Power 100V 50\/60Hz\u003cbr\u003e¥ External Dimensions width 142 x height 132 (141*) x depth 375mm \u003cbr\u003e¥ Accessories\u003cbr\u003e_ Remote Controller\u003cbr\u003e_ RM-DB3\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":41496107483297,"sku":"-4","price":250.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/MDS-B4P_1.jpg?v=1642724200"},{"product_id":"used-furman-pl-plus-audioother","title":"Used Furman PL-PLUS Power Conditioner with Lights and Voltmeter","description":"\u003cp\u003e22 Available\u003c\/p\u003e\n\u003cp\u003e120V\/15A Power Conditioner with Lights \u0026amp; Voltmeter\u003c\/p\u003e","brand":"Furman","offers":[{"title":"Default Title","offer_id":41496113578145,"sku":"0","price":300.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/PL-PLUS_1.jpg?v=1642724279"},{"product_id":"used-raxxess-sdr-4-audioother","title":"Used Raxxess SDR-4 Rack drawer","description":"\u003cp\u003e5 Available\u003c\/p\u003e\n\u003cp\u003eRack drawer, Steel, 4 space\u003c\/p\u003e","brand":"Raxxess","offers":[{"title":"Default Title","offer_id":41496124227745,"sku":"-4","price":300.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/SDR-4_1.jpg?v=1642724368"},{"product_id":"used-technics-sl-pd667-audioother","title":"Used Technics SL-PD667 5 Disc CD Player","description":"\u003cp\u003eOnly 1 left!\u003c\/p\u003e\n\u003cp\u003eMulti Disc CD player 5\u003c\/p\u003e","brand":"Technics","offers":[{"title":"Default Title","offer_id":41496124653729,"sku":"-667","price":75.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/SL-PD667_1.jpg?v=1642724373"},{"product_id":"used-middle-atlantic-ud2-audioother","title":"Used Middle Atlantic UD2 Rack drawer","description":"\u003cp\u003e4 Available\u003c\/p\u003e\n\u003cp\u003eRack drawer, Steel, 2 space\u003c\/p\u003e","brand":"Middle Atlantic","offers":[{"title":"Default Title","offer_id":41496133107873,"sku":"2","price":180.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/UD2_1.jpg?v=1642724443"},{"product_id":"used-middle-atlantic-ud4-audioother","title":"Used Middle Atlantic UD4 Rack drawer","description":"\u003cp\u003e5 Available\u003c\/p\u003e\n\u003cp\u003eRack drawer, Steel, 4 space\u003c\/p\u003e","brand":"Middle Atlantic","offers":[{"title":"Default Title","offer_id":41496133468321,"sku":"4","price":220.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/UD4_1.jpg?v=1642724451"},{"product_id":"used-tascam-rc-848-audioother","title":"Used Tascam RC-848 Remote","description":"\u003cp\u003eRemote for Multiple DA-88\/38\u003c\/p\u003e","brand":"Tascam","offers":[{"title":"Default Title","offer_id":41496137957537,"sku":"-848","price":450.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/RC-848_1.jpg?v=1642724523"},{"product_id":"used-yamaha-md-4-audioother","title":"Used Yamaha MD-4 4-Track MD Recorder","description":"\u003cp\u003eOnly 1 left!\u003c\/p\u003e\n\u003cp\u003e4-Track MD Recorder\u003c\/p\u003e\n\u003cp\u003eSampling Frequency: 44.1 kHz.\u003c\/p\u003e\n\u003cp\u003eInputs:\u003cbr\u003eMic\/Line x 4 (-10 to -50 dB, 1\/4\" jack),Ê\u003cbr\u003eAux Return L,R (-10 dB, 1\/4\" jack),Ê\u003cbr\u003eStereo Sub In L,R (-10 dB, RCA phono jack)\u003c\/p\u003e\n\u003cp\u003eOutputs\u003cbr\u003eStereo Out L,R (-10 dB, RCA phono jack),Ê\u003cbr\u003eMonitor Out L,R (-10 dB, RCA phono jack),Ê\u003cbr\u003eTrack Direct Out 1 to 4 (-10 dB, RCA phono jack),Ê\u003cbr\u003eAux Send (-10 dB, 1\/4\" jack),Ê\u003cbr\u003ePhones (100 mW + 100 mW, 1\/4\" stereo jack)\u003cbr\u003eThe MD4 combines complete mixing functions and digital multitrack recording functions in an easy-to-operate unit. Utilizing Mini Disc (MD) Data format removable discs, the MD4 boasts 20Hz-20kHz frequency response, ultra low noise, and zero percent wow-and-flutter. MD Data discs offer the ability to erase and record on the same disc one million times, and unlimited track-bouncing with negligible degradation.\u003cbr\u003eEdit and re-sequence program segments and create new songs from segments; tunes can be rearranged, lengthened or shortened. Strong parts can be repeated, and weak parts deleted.Ê\u003cbr\u003eCombine all four fully-recorded tracks to any of the same tracks without losing any tracks.Ê\u003cbr\u003eInstantly access to any point on the disc plus programmable auto-locate and auto-punch-in with 12 ms accuracy.Ê\u003cbr\u003eOutputs MIDI timecode with tempo-mapping functions to allow MIDI systems to chase MD4 recordings with precision.\u003cbr\u003e255 songs can be recorded on a single mini disc and easily titled using front panel controls.Ê\u003cbr\u003eThree recording modes offering total recording times of 37 minutes per track in the four-track mode, 74 minutes for stereo recording, and 148 minutes for mono recording.\u003cbr\u003eThe digital multitrack recorder is integrated into a comprehensive 4-bus mixer including 8 inputs, individual track outputs, 3-band EQ and versatile monitoring features.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":41496164434081,"sku":"-4","price":250.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/MD-4_1.jpg?v=1642724671"},{"product_id":"used-raxxess-sdr-2-audioother","title":"Used Raxxess SDR-2 rack drawer","description":"\u003cp\u003e5 Available\u003c\/p\u003e\n\u003cp\u003erack drawer, steel, 2 space\u003c\/p\u003e","brand":"Raxxess","offers":[{"title":"Default Title","offer_id":41496195661985,"sku":"-2","price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/SDR-2_1.jpg?v=1642724945"},{"product_id":"used-raxxess-sdr-3-audioother","title":"Used Raxxess SDR-3 rack drawer","description":"\u003cp\u003e3 Available\u003c\/p\u003e\n\u003cp\u003erack drawer, steel, 3 space\u003c\/p\u003e","brand":"Raxxess","offers":[{"title":"Default Title","offer_id":41496196120737,"sku":"-3","price":250.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/SDR-3_1.jpg?v=1642724951"},{"product_id":"used-tascam-da-40-audioother","title":"Used Tascam DA-40 DAT Deck","description":"\u003cp\u003eRackmount DAT Deck\u003c\/p\u003e","brand":"Tascam","offers":[{"title":"Default Title","offer_id":41496205066401,"sku":"-40","price":750.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/DA-40_1.jpg?v=1642725039"},{"product_id":"used-denon-dn2000fmk2-audioother","title":"Used Denon DN2000FMK2 dual CD player","description":"\u003cp\u003edual CD player\u003c\/p\u003e\n\u003cp\u003eDenon DN-2000F MKII Dual CD Deck w\/ RC-25B Controller\u003c\/p\u003e\n\u003cp\u003eDenon DN-2000F MKII Dual CD Deck w\/ RC-25B Controller\u003c\/p\u003e\n\u003cp\u003eopen\/close controls on deck and controller\u003cbr\u003esingle play only\u003cbr\u003epitch bend control\u003cbr\u003etrack and search controls\u003cbr\u003ecue play\/pause controls\u003cbr\u003etime control button\u003cbr\u003erack mount\u003c\/p\u003e","brand":"Denon","offers":[{"title":"Default Title","offer_id":41496206114977,"sku":"20002","price":350.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/DN2000FMK2_1.jpg?v=1642725056"},{"product_id":"used-digiflex-de16-4x-100-audioother","title":"Used Digiflex DE16-4X-100 Audio Snake","description":"\u003cp\u003e3 Available\u003c\/p\u003e\n\u003cp\u003e100 foot 16 Channel\/4 XLR Return\u003c\/p\u003e","brand":"Digiflex","offers":[{"title":"Default Title","offer_id":41496219386017,"sku":"164100","price":550.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/DE16-4X-100_1.jpg?v=1642725225"},{"product_id":"used-middle-atlantic-de3-audioother","title":"Used Middle Atlantic DE3 Rack drawer","description":"\u003cp\u003e5 Available\u003c\/p\u003e\n\u003cp\u003eRack drawer, Steel, 3 space\u003c\/p\u003e","brand":"Middle Atlantic","offers":[{"title":"Default Title","offer_id":41496240783521,"sku":"3","price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/DE3_1.jpg?v=1642725439"},{"product_id":"used-furman-pl-8-audioother","title":"Used Furman PL-8 Power Conditioner","description":"\u003cp\u003e4 Available\u003c\/p\u003e\n\u003cp\u003e120V\/15A Power Conditioner with Lights\u003c\/p\u003e","brand":"Furman","offers":[{"title":"Default Title","offer_id":41496244093089,"sku":"-8","price":150.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/PL-8_1.jpg?v=1642725478"},{"product_id":"used-furman-rr-15plus-audioother","title":"Used Furman RR-15PLUS Power Conditioner","description":"\u003cp\u003e5 Available\u003c\/p\u003e\n\u003cp\u003e120V\/15A Power Conditioner w\/Lights and Voltmeter\u003c\/p\u003e","brand":"Furman","offers":[{"title":"Default Title","offer_id":41496244453537,"sku":"-15","price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/RR-15PLUS_1.jpg?v=1642725483"},{"product_id":"used-sf-24u-rack-audioother","title":"Used SF 24U Rack Audio Other","description":"\u003cp\u003e24U rack\u003c\/p\u003e","brand":"SF","offers":[{"title":"Default Title","offer_id":41496246288545,"sku":"24","price":850.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/24U_Rack_1.jpg?v=1642725507"},{"product_id":"used-tascam-md-350-audioother","title":"Used Tascam MD-350 MiniDisc Recorder\/Player","description":"\u003cp\u003eMiniDisc Recorder\/Player - 2 Available\u003c\/p\u003e\n\u003cp\u003eThe TASCAM MD-350 incorporates the latest advancements in MD technology. The latest ATRAC encoding scheme (version 3) is implemented, offering new long play versions with up to 320 minutes of record time on a standard 80 minute MiniDisc. A front panel PS\/2 keyboard port allows intuitive control over editing the MiniDisc's TOC (Table Of Contents) and naming tracks.\u003c\/p\u003e\n\u003cp\u003eA complete host of audio I\/O makes integrating the MD-350 into any system easy. Balanced and unbalanced analog ports are available, as well as digital optical ports. A front panel optical port can be used to connect portable players digitally without crawling behind the machine rack.\u003c\/p\u003e\n\u003cp\u003ePitch control function is available on the TASCAM MD-350, with a clear on\/off switch on the front panel. 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Designed as a pro unit, the T625 features RCA I\/O, plus XLR balanced I\/O, a jog wheel, and an RS232 control port. Both the tape deck and the CD player feature +\/-12% pitch control. The cassette player\/recorder features Dolby B and C noise reduction, and adjustable input level control. The CD player features a programmable A\/B repeat function, text CD support, selectable random play and up to 25 programmable tracks. 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Professional inputs and outputs, mp3 compatibility, CD TEXT, and many other valuable features give users the audio quality and flexibility they need for virtually any application. A friendly user interface combined with RS-232, contact closure, and infrared remote control capabilities provide exceptional control and ease of use.\u003c\/p\u003e\n\u003cp\u003eFeatures:\u003cbr\u003e¥ Shock-Proof Memory (Approximately 10 Seconds)\u003cbr\u003e¥ Instant Start\u003cbr\u003e¥ Auto Cue\u003cbr\u003e¥ Play Mode and Finish Mode\u003cbr\u003e¥ CD-R\/RW Playback Compatibility\u003cbr\u003e¥ MP3 Playback\u003c\/p\u003e","brand":"Denon","offers":[{"title":"Default Title","offer_id":41496261230753,"sku":"-635","price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/DN-C635_1.jpg?v=1642725684"},{"product_id":"used-tascam-cd-01upro-audioother","title":"Used Tascam CD-01UPRO 1U Pro CD Player","description":"\u003cp\u003e1U Rack Mount Balanced Output CD Player - 3 Available\u003c\/p\u003e\n\u003cp\u003eThe TASCAM CD-01U Pro is a professional CD player, designed to fit into one rackspace. 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This 1x4 distribution amplifier features a balanced XLR input and 4 balanced XLR outputs. A simple control panel provides output level controls for all 4 outputs and a Signal\/Clip LED indicator. A frequency response rating of 5Hz to 100kHz provide high audio performance with a low noise floor and transparent signal. The Aphex 120A is an effective audio distribution solution for industrial or broadcast use.\u003cbr\u003eQuality Inputs and Outputs\u003cbr\u003eThe Aphex 120A features Servo-Balanced XLR inputs and outputs providing maximum gain and minimal noise floor.\u003cbr\u003eTransparent Audio Fidelity\u003cbr\u003eBoasting an impressive 5Hz to 100kHz frequency response, the 120A is perfect for the demands of digital audio operation. 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