{"title":"Audio","description":"","products":[{"product_id":"used-digiflex-12-75-split-5-audioother","title":"Used Digiflex 12-75-SPLIT-5 Audio Other","description":"\u003cp\u003e75' 12 chan snake with 5' split snake\u003c\/p\u003e","brand":"Digiflex","offers":[{"title":"Default Title","offer_id":41496048238753,"sku":"12755","price":650.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/12-75-SPLIT-5_1.jpg?v=1642723733"},{"product_id":"used-k-m-210-9b-microphones","title":"Used K\u0026M 210\/9B Microphones","description":"\u003cp\u003eStandard boom mic stand black\u003c\/p\u003e\n\n\u003cp\u003eTripod Base Microphone Stand with 201A\/2 Stand \u0026amp; 211\/1 Boom\u003c\/p\u003e","brand":"K\u0026M","offers":[{"title":"Default Title","offer_id":41496048566433,"sku":"2109","price":80.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/210_9B_1.jpg?v=1642723737"},{"product_id":"used-k-m-214-6-microphones","title":"Used K\u0026M 214\/6 Microphones","description":"\u003cp\u003eAluminum Speaker Stand Package -H:1375-2185mm -50Kg Rated, black\u003c\/p\u003e","brand":"K\u0026M","offers":[{"title":"Default Title","offer_id":41496048959649,"sku":"2146","price":120.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/214_6_1.jpg?v=1642723742"},{"product_id":"used-k-m-21435-microphones","title":"Used K\u0026M 21435 Microphones","description":"\u003cp\u003eSteel Tripod Speaker Stand -H:1440-2230mm -50Kg Rated, black\u003c\/p\u003e","brand":"K\u0026M","offers":[{"title":"Default Title","offer_id":41496050008225,"sku":"21435","price":100.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/21435_1.jpg?v=1642723747"},{"product_id":"used-k-m-231-1-microphones","title":"Used K\u0026M 231\/1 Microphones","description":"\u003cp\u003eTable stand, folding\u003c\/p\u003e","brand":"K\u0026M","offers":[{"title":"Default Title","offer_id":41496050335905,"sku":"2311","price":10.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/231_1_1.jpg?v=1642723752"},{"product_id":"used-k-m-238-microphones","title":"Used K\u0026M 238 Microphones","description":"\u003cp\u003eMicrophone clamp\u003c\/p\u003e","brand":"K\u0026M","offers":[{"title":"Default Title","offer_id":41496050761889,"sku":"238","price":20.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/238_1.jpg?v=1642723756"},{"product_id":"used-digiflex-24-100-split-audioother","title":"Used Digiflex 24-100-SPLIT Audio Other","description":"\u003cp\u003e100' 24 chan snake \u0026amp; split\u003c\/p\u003e","brand":"Digiflex","offers":[{"title":"Default Title","offer_id":41496052072609,"sku":"24100","price":1200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/24-100-SPLIT_1.jpg?v=1642723763"},{"product_id":"used-k-m-24105-microphones","title":"Used K\u0026M 24105 Microphones","description":"\u003cp\u003eDouble speaker adapter, black\u003c\/p\u003e\n\n\u003cp\u003eSpeaker Mounting Fork for 35mm Tube Diameter Stands\u003c\/p\u003e","brand":"K\u0026M","offers":[{"title":"Default Title","offer_id":41496053448865,"sku":"24105","price":65.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/24105_1.jpg?v=1642723770"},{"product_id":"used-k-m-259-microphones","title":"Used K\u0026M 259 Microphones","description":"\u003cp\u003eStandard  adjustable boom mic stand\u003c\/p\u003e","brand":"K\u0026M","offers":[{"title":"Default Title","offer_id":41496053874849,"sku":"259","price":80.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/259_1.jpg?v=1642723774"},{"product_id":"used-k-m-259b-microphones","title":"Used K\u0026M 259B Microphones","description":"\u003cp\u003eLow level Adjust. boom black\u003c\/p\u003e","brand":"K\u0026M","offers":[{"title":"Default Title","offer_id":41496054333601,"sku":"259","price":80.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/259B_1.jpg?v=1642723779"},{"product_id":"used-k-m-260-microphones","title":"Used K\u0026M 260 Microphone Stands","description":"\u003cp\u003eRound base straight stand, black, heavy duty\u003c\/p\u003e","brand":"K\u0026M","offers":[{"title":"Default Title","offer_id":41496054595745,"sku":"260","price":70.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/260_1.jpg?v=1642723783"},{"product_id":"used-k-m-260-1-black-microphones","title":"Used K\u0026M 260\/1-Black Microphones","description":"\u003cp\u003eRound base straight stand, black\u003c\/p\u003e","brand":"K\u0026M","offers":[{"title":"Default Title","offer_id":41496055087265,"sku":"2601","price":50.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/260_1-Black_1.jpg?v=1642723788"},{"product_id":"used-sennheiser-421-microphones","title":"Used Sennheiser 421 Microphones","description":"\u003cp\u003eDrum mic\u003c\/p\u003e\n\n\u003cp\u003eCardioid dynamic with five position bass rolloff switch. Includes MZA421 lock-on stand adapter.\u003c\/p\u003e","brand":"Sennheiser","offers":[{"title":"Default Title","offer_id":41496056889505,"sku":"421","price":400.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/421_1.jpg?v=1642723808"},{"product_id":"used-urei-562-processing","title":"Used Urei 562 Processing","description":"\u003cp\u003eNotch Filter\/Limiter\u003c\/p\u003e\n\n\u003cp\u003eVintage UREI Model 562 Feedback Suppressor Rack Mount Unit\u003c\/p\u003e\n\n\u003cp\u003e5 independently adjustable notch filters. Narrow notches minimize sound coloration. Built in peak clipper for driver protection during setup tuning. High cut and low cut end filters. Headroom indicator monitors signal levels and approach of overload. Bypass switch for easy setup and A-B comparison. \u003cbr\u003e\nThe 562 contains 5 active notch filters, each continu- ously adjustable in notch depth from 0 to 20 dB, and in frequency from 60 Hz to 6000 Hz. Low cut and high cut filters with 12 dB\/octave slopes are tunable from 20 to 200 Hz and 2.5 to 20 kHz respectively. The Model 562 has front panel adjustable gain, ranging from Ñ10 to +20 dB and headroom indicators to optimize the signal level. A bypass switch allows A-B comparison, and a setup switch provides system protection during tuning. XLR\/QG connectors and terminal strips are provided for both input and output. In using the Feedback Suppressor, the system's gain is slowly increased until the first sustained feedback occurs. One notch filter is then \"tunedÕÕ until the feedback ceases. The gain is increased again, and the next reso- nance attenuated with the second filter. This procedure is repeated with filters 3 through 5. If feedback occurs at the extreme high or low end it can be reduced by using the end cut filters. A typical result is an increase of several dB in actual system gain before feedback. In addition intelligibility is improved without undesirable changes in fidelity. SPECIFICATIONS ELECTRICAL: INPUT: Input Impedance: 40 kohms balanced, 20 kohms unbalanced. Maximum input Level: +20 dBu Gain: Variable Ñ10 dB to +20 dB with front panel level control. Headroom Indicator: 4 LED indicators showing maximum signals: 0, Ñ10, Ñ20, Ñ30 dB relative to overload. NOTCH FILTERS Frequency Range Notch Depth Filter Bandwidth 60 Hz to 6 kHz, continuously variable in two ranges. 0 to Ñ20 dB, continuously variable. Approx. 1\/6 octave at 5 dB notch depth (3 dB points). END CUT FILTERS Low Cut Filter High Cut Filter 12 dB per octave filter slope, continuously adjustable from 20 Hz to 200 Hz. 12 dB per octave filter slope, continously adjustable from 2.5 kHz to 20 kHz. OUTPUT Output Circuit Output Load Power Output Distortion Frequency Response Output Noise Power Requirements Environment Floating, transformer isolated. 600 ohms or greater. +20 dBm Less than 0.5% THD, 30 Hz to 15 kHz at maximum rated output. ±0.5 dB, 20 Hz to 20 kHz (EQ out). +0.5 dB, -1.5 dB. 20 Hz to 20 kHz (EQ in). Less than Ñ90 dBm ( 15.7 kHz noise bandwidth, input and output terminated with 600 ohms: controls set for unity gain). Less than 10 W, 100-125 V AC or 200-250 V AC. 50\/60 Hz. switch selectable.\u003c\/p\u003e","brand":"Urei","offers":[{"title":"Default Title","offer_id":41496057413793,"sku":"562","price":250.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/562_1.jpg?v=1642723814"},{"product_id":"used-symetrix-564e-processing","title":"Used Symetrix 564E Processing","description":"\u003cp\u003eSymetrix 564E Quad Gate Expander in good condition.\u003cbr\u003e\nProduct Key Features\u003cbr\u003e\n\t¥\tModel: 564E\u003cbr\u003e\n\t¥\tInputs\/Outputs: XLR In\u003cbr\u003e\n\t¥\tEffect\/Enhancement: Noise Gating\/Expansion\u003cbr\u003e\n\t¥\tNumber of Channels :4\u003cbr\u003e\nEach of the four channels may be individually operated in GATE or EXPander mode. Balanced or unbalanced signals may be applied to the XLR style input connectors. To further expand the 564EÕs functinal possibilities, a control loop (send and return) is included for devices like dleay lines and graphic equalizers. This allows special effects and manipulation of problem audio sources.\u003c\/p\u003e","brand":"Symetrix","offers":[{"title":"Default Title","offer_id":41496057807009,"sku":"564","price":100.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/564E_1.jpg?v=1642723819"},{"product_id":"used-electro-voice-81pmx-mixingconsoles","title":"Used Electro-Voice 81PMX Mixing Consoles","description":"\u003cp\u003e8 channel powered mixer, 200 watts\u003cbr\u003e\n3 Available\u003c\/p\u003e\n\n\u003cp\u003eÊÊÊÊ The 8-channel 81PMX is ideal for both portable and permanent applications.Ê Besides delivering 200 watts of power into four ohms, the mixers have several other features not found on many competitive models.Ê Digital reverb\/delay results in more natural ambience and control flexibility, while 40-volt phantom power allows the use of any condenser microphone to its maximum performance. The mic inputs are also designed to handle the high output of N\/DYM or condenser mics without overload distortion.Ê The beefed-up MOSFET power amplifier provides increased reliability and sound quality, allowing for more output and more headroom.ÊEach channel features low- and high-impedance inputs, as well as an insert jack to allow use of separate effects on each channel.Ê Reverb to main and monitor allows a \"wet\" stage monitor mix for vocalists, allowing the vocalist to hear what the audience hears.Ê\u003cbr\u003e\nFeatures:Ê\u003cbr\u003e\n\t\t200 watts into 4 ohmsÊ\u003cbr\u003e\n\t\tMOSFET power amplifierÊ\u003cbr\u003e\n\t\tFull protection from distortion and speaker damageÊ\u003cbr\u003e\n\t\tNine-band graphic EQÊ\u003cbr\u003e\n\t\tAdjustable electronic reverbÊ\u003cbr\u003e\n\t\tSeparate tape\/CD input channelsÊ\u003cbr\u003e\n\t\tEasy-access channel inputs\u003c\/p\u003e","brand":"Electro-Voice","offers":[{"title":"Default Title","offer_id":41496058101921,"sku":"81","price":250.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/81PMX_1.jpg?v=1642723822"},{"product_id":"used-teac-ad-500-audioother","title":"Used Teac AD-500 Audio Other","description":"\u003cp\u003eCassette \u0026amp; CD player\u003c\/p\u003e\n\n\u003cp\u003eTeac AD500 Overview\u003cbr\u003e\nNothing is better for transferring CDs to Cassette than the AD500 from Teac.Ê With features such as Dolby B Noise Reduction, Auto Reverse, Continuous Playback from deck to deck and CD Sync recording, the AD500 is the perfect add-on component for your home system. The AD500 also has pro features like volume control for the Headphone out and ±12% pitch adjustment on tape deck.\u003cbr\u003e\nCD\u003cbr\u003e\nSupports CD and CD-R\/RW Disc\u003cbr\u003e\n20-selection Random Memory Program Play\u003cbr\u003e\nRepeat (1\/ALL\/Program\/A-B), Shuffle, Intro Play\u003cbr\u003e\nAuto Space\u003cbr\u003e\nCassette Section\u003cbr\u003e\nAuto Reverse Cassette Deck\u003cbr\u003e\nPitch Control\u003cbr\u003e\nDolby B Noise Reduction\u003cbr\u003e\nCD Dubbing\u003cbr\u003e\nCPS (Computomatic Program Search)\u003cbr\u003e\nTimer Recording, Timer Play\u003c\/p\u003e","brand":"Teac","offers":[{"title":"Default Title","offer_id":41496058298529,"sku":"-500","price":100.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/AD-500_1.jpg?v=1642723825"},{"product_id":"used-anchor-an-1000x-poweredmonitors","title":"Used Anchor AN-1000X Powered Monitors","description":"\u003cp\u003ePowered Monitor\u003c\/p\u003e\n\n\u003cp\u003eThe AN-1000X is the most versatile powered monitor on the mar-ket, is designed to amplify the signal from a wide variety of input sources. Use it on an A\/V rack, as a studio monitor, in a trade show booth or on a US Navy warship, you decide.\u003c\/p\u003e","brand":"Anchor","offers":[{"title":"Default Title","offer_id":41496060133537,"sku":"-1000","price":400.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/AN-1000X_1.jpg?v=1642723831"},{"product_id":"used-brooke-siren-ar116-directboxes","title":"Used Brooke Siren AR116 Direct Boxes","description":"\u003cp\u003eDirect Box with Phantom Power Module\u003c\/p\u003e","brand":"Brooke Siren","offers":[{"title":"Default Title","offer_id":41496060985505,"sku":"116","price":140.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/AR116_1.jpg?v=1642723834"},{"product_id":"used-brooke-siren-ar204-processing","title":"Used Brooke Siren AR204 Processing","description":"\u003cp\u003e4 Channel Balancing Pac for X-overs\u003cbr\u003e\n3 Available\u003c\/p\u003e\n\n\u003cp\u003eThe AR-204 is a 4-channel, high-quality, passive, transformer coupled balancing unit designed to provide balanced and floating 600 Ohm signal outputs from an unbalanced line level input signal, or it can terminate a balanced 600 Ohm line for unbalanced use.\u003cbr\u003e\nIn addition, the unit can be used as a floating balanced isolator when protection is required between two audio circuits. The AR-211 is a rack-mounting kit for the AR-204 and will hold two AR-204 units.\u003c\/p\u003e","brand":"Brooke Siren","offers":[{"title":"Default Title","offer_id":41496061378721,"sku":"204","price":250.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/AR204_1.jpg?v=1642723838"},{"product_id":"used-aphex-ax622-processing","title":"Used Aphex AX622 Logic Assisted Expander\/Gate","description":"\u003cp\u003eLogic Assisted Dual Channel Expander Noise Gate\u003c\/p\u003e","brand":"Aphex","offers":[{"title":"Default Title","offer_id":41496061935777,"sku":"622","price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/AX622_1.jpg?v=1642723844"},{"product_id":"used-shure-beta56a-microphones","title":"Used Shure Beta56A Microphones","description":"\u003cp\u003eInstrument Dynamic Microphone SuperCardioid\u003c\/p\u003e","brand":"Shure","offers":[{"title":"Default Title","offer_id":41496062525601,"sku":"56","price":190.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/Beta56A_1.jpg?v=1642723850"},{"product_id":"used-shure-beta58-microphones","title":"Used Shure Beta58 Microphones","description":"\u003cp\u003eHandheld Dynamic Microphone - Super-Cardioid\u003c\/p\u003e","brand":"Shure","offers":[{"title":"Default Title","offer_id":41496063082657,"sku":"58","price":170.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/Beta58_1.jpg?v=1642723856"},{"product_id":"used-telex-bp1000-communications","title":"Used Telex BP1000 Communications","description":"\u003cp\u003eModel Description:\u003cbr\u003e\n1 Ch belt pack w\/call light, mic kill detect, tone alert, dynamic\/electret mic, jack, XLR I\/O\u003c\/p\u003e\t\n\n\u003cp\u003eModel Details\u003cbr\u003e\n1 Ch belt pack w\/call light, programmable mic kill detect and tone alert, dynamic\/electret mic, headset jack (A4M) bal\/unbal, 3-pin XLR I\/O\u003c\/p\u003e\n\n\n\u003cp\u003eFeatures:\u003cbr\u003e\n\t¥\tIncludes call light and mic kill\u003cbr\u003e\n\t¥\tBalanced\/unbalanced operation\u003c\/p\u003e\n\n\u003cp\u003eThe Audiocom¨ BP-2000 and BP-1000 are microprocessor\u003cbr\u003e\ncontrolled one- and two-channel intercom belt packs. An\u003cbr\u003e\ninternal switch and jumper setting allows the units to be used\u003cbr\u003e\nwith Clear-Com¨ components, if desired. Other internal\u003cbr\u003e\nswitch and jumper settings allow the unit to be uniquely\u003cbr\u003e\nconfigured to the operator's requirements.\u003c\/p\u003e","brand":"Telex","offers":[{"title":"Default Title","offer_id":41496065441953,"sku":"1000","price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/BP1000_1.jpg?v=1642723863"},{"product_id":"used-telex-bp2000-communications","title":"Used Telex BP2000 Communications","description":"\u003cp\u003eDual Channel belt pac\u003c\/p\u003e\n\n\u003cp\u003eThe Audiocom¨ BP-2000 and BP-1000 are microprocessor\u003cbr\u003e\ncontrolled one- and two-channel intercom belt packs. An\u003cbr\u003e\ninternal switch and jumper setting allows the units to be used\u003cbr\u003e\nwith Clear-Com¨ components, if desired. Other internal\u003cbr\u003e\nswitch and jumper settings allow the unit to be uniquely\u003cbr\u003e\nconfigured to the operator's requirements.\u003c\/p\u003e","brand":"Telex","offers":[{"title":"Default Title","offer_id":41496067408033,"sku":"2000","price":230.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/BP2000_1.jpg?v=1642723869"},{"product_id":"used-telex-btr200ii-communications","title":"Used Telex BTR200II 4 Pac Kit","description":"\u003cp\u003e3 Available\u003c\/p\u003e\n\u003cp\u003eWireless Main Station VHF with 4 pacs\u003c\/p\u003e\n\u003cp\u003eTransmit: 183.730\u003cbr\u003eReceive: 207.800, 207.425, 206.800, 206.000\u003c\/p\u003e\n\u003cp\u003eTransmit: 177.800\u003cbr\u003eReceive: 212.000, 212.800, 213.425, 231.800\u003c\/p\u003e\n\u003cp\u003eTransmit:177.800\u003cbr\u003eReceive:207.800,207.425,206.800,206.000\u003c\/p\u003e\n\u003cp\u003eInput Power: 13.0 VAC RMS\/300 mA with supplied adaptor or filtered 12 to 14 VDC\/300 mA source\u003cbr\u003eIntercom Output: 50 mV (Low) or 330 mV (Hi) RMS into 300 ohm load typical (at rated deviation)\u003cbr\u003eIntercom Input (Gain Minimum): 300 mV RMS typical (for rated deviation)\u003cbr\u003eAuxiliary Output: 430 mV RMS into 600 ohm load typical (at rated deviation)\u003cbr\u003eAuxiliary Input (Gain Maximum): 60 mV RMS typical (for rated deviation)\u003cbr\u003eLocal Headset Input: 2 mV RMS input nominal1.5 mV RMS input at compression (Dynamic)\u003cbr\u003eLocal Headset Output: 32 mV maximum output into 600 ohmst\u003cbr\u003eTemperature Range: -4¡F to 130¡F (-20¡C to 55¡C)\u003cbr\u003eDimensions: 15.75\" W x 1.75\" H x 10.5\" D(40 cm x 4.5 cm x 26 cm)\u003cbr\u003eWeight: 4.5 lbs (2 kg)\u003cbr\u003eRF Frequency Range: 150-216 MHz\u003cbr\u003eRF Frequency Stability: Crystal Controlled, 0.005%\u003cbr\u003eRF Power Output: 50 mW Typical\u003cbr\u003eModulation: FM, 3 KHz deviation.115 micro-seconds Pre-emphasis\u003cbr\u003eTransmit Antenna: 5\/8-wave (supplied)SO239 connector on chassis\u003cbr\u003eModulation Limiter: Internal Compressor\u003cbr\u003eModulation Frequency Range: 300 to 5000 Hz ±2 dB\u003cbr\u003eRadiated Harmonics and Spurious Emissions: -45 dBC, Exceeds FCC Specifications\u003cbr\u003eFCC: Type Accepted Under Parts 90 and 74\u003c\/p\u003e","brand":"Telex","offers":[{"title":"Default Title","offer_id":41496068554913,"sku":"200","price":500.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/BTR200II_1.jpg?v=1642723876"},{"product_id":"used-akg-c414b-microphones","title":"Used AKG C414B Microphones","description":"\u003cp\u003eCondensor with adjustable pattern\u003c\/p\u003e\n\n\u003cp\u003eHigh sensitivity and extremely low self noise; five switchable polar patterns for placement and application flexibility; two-color LEDs provide quick visual indication of selected polar pattern and output overload; elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration; H85 professional shock mount\/stand adapter, PF80 external pop filter and W414 X external windscreen. A reference-quality microphone especially used for accurate, beautifully-detailed pickup of any acoustic instrument.\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":41496069963937,"sku":"414","price":1300.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/C414B_1.jpg?v=1642723893"},{"product_id":"used-akg-c535eb-microphones","title":"Used AKG C535EB Microphones","description":"\u003cp\u003eAKG C 535 EB Condenser Cardioid Professional Microphone Black Vintage\u003c\/p\u003e\n\n\u003cp\u003eThe AKG C535 EB is a handheld cardioid condenser that features an onboard pad and filter\u003c\/p\u003e\n\n\u003cp\u003eTHE professional vocal\/instrument microphone from AKG for stage and studio use, the C 535 EB provides the ultimate combination of excellent, highly detailed audio and exceptional ruggedness.\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":41496070553761,"sku":"535","price":250.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/C535EB_1_604d6358-7eb5-4e8d-9874-574e416d99a3.jpg?v=1642723900"},{"product_id":"used-akg-c568eb-microphones","title":"Used AKG C568EB Microphones","description":"\u003cp\u003eshotgun condensor\u003c\/p\u003e\n\n\u003cp\u003eAKG C568EB SHOTGUN MICROPHONE HYPERCARDIOID\/ SHOTGUN High directivity and wide frequency response in a relatively short integrated unit make this the ideal microphone for theater, sound reinforcement and film\/video recording. Due to its compact and lightweight design the C568EB is ideal for fixed position applications. The C568EB is an electret condenser, which operates on both pressure gradient and interference principles. Below 500Hz it functions as a Hypercardioid microphone; above 500Hz the acoustic interference tube introduces increasing directivity. A switch selectable 12dB\/octave 15-Hz roll-off filter effectively suppresses rumble and wind noise. Robust all-metal housing contains the built in pre-amp\/impedance converter. Phantom powering 9-52V required, foam windscreen and stand adaptor included.\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":41496071110817,"sku":"568","price":350.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/C568EB_1.jpg?v=1642723906"},{"product_id":"used-akg-c921cm-microphones","title":"Used AKG C921CM Microphones","description":"\u003cp\u003ehanging choir condensor\u003c\/p\u003e\n\n\u003cp\u003eC 921 Ceiling Mounted Hanging Mic\u003c\/p\u003e\n\n\u003cp\u003eSpecifications: \u003cbr\u003e\nFrequency Range: 60Hz to 20kHzPolar\u003cbr\u003e\nPattern: Cardioid\u003cbr\u003e\nSensitivity: 30mV\/Po (-30dBV)\u003cbr\u003e\nS\/N Ratio (DIN\/CCIR): 57db\u003cbr\u003e\nMaximum SPL for 1%\u003cbr\u003e\nTHD: 115dB\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":41496071798945,"sku":"921","price":150.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/C921CM_1.jpg?v=1642723912"},{"product_id":"used-behringer-composer-processing","title":"Used Behringer Composer Processing","description":"\u003cp\u003eStereo Comp\/Limt\/\u003c\/p\u003e\n\n\u003cp\u003eBehringer's Composer MDX 2100 gives you superb dynamic control, both live and in the studio. It's ideal for increasing vocal energy and penetration in the mix; and prevents system overload.\u003cbr\u003e\nComposer offers five distinct dynamic processing functions: fully automatic compressor; manually-set compressor; expander\/gate; and program limiter.\u003cbr\u003e\nAn innovative IKA (Interactive Knee Adaptation) circuit gives you the best features of both hard- and soft-knee compression in a single dynamic process. Even with extreme ratios or difficult program material, the effect is amazingly natural and transparent.\u003cbr\u003e\nAs your equipment upgrades, so do your expectations. The MDX 2100 comes with IRC (Interactive Ratio Controller) expander\/gate that provides totally natural fades to silence. With IRC, threshold setting is less critical, and chattering is virtually eliminated, even at low signal-to-noise ratios.\u003cbr\u003e\nAn IGC (Interactive Gain Control) offers two stages of dynamic control. First, a clipper applies instantaneous brickwall limiting. If the input level does not fall back quickly enough, the IGC circuit is activated, reducing overall output and avoiding distortion. With the IGC in control, protection against overload is absolutely assured and completely transparent.\u003cbr\u003e\nMDX 2100 Includes Auto and Manual Compressor Modes\u003cbr\u003e\nIn Auto mode, program-dependent Attack and Release times are calculated in real time, so there's minimal set-up and optimal performance, particularly with complex signals like vocals, or the mix. In addition, Manual mode offers you fully adjustable Attack and Release for creative effects. Behringer advises using Auto mode for vocals, mixdown and stringed instruments; Manual mode for percussive sounds and envelope shaping.\u003cbr\u003e\nWorks as two independent mono units, or one stereo.\u003c\/p\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":41496072716449,"sku":"0","price":75.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/Composer_1.jpg?v=1642723918"},{"product_id":"used-yamaha-d1030-processing","title":"Used Yamaha D1030 Processing","description":"\u003cp\u003eDigital Alignment Delay, 1 IN, 3 OUT\u003c\/p\u003e\n\n\u003cp\u003ehe D1030 is the perfect choice for time aligning your enclosures for optimum performance. It features a unique 1-in 3-out configuration with each output offering an independently programed delay. Excellent for configuring the perfect time aligned, multi-point system! Its balanced high-output design can drive long lines without signal degradation. Comes complete with a full digital parametric equalization system for every output. Delay time is displayed in milliseconds, meters or feet. 1x3 Digital delay line\/crossover, 18 bit.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":41496073109665,"sku":"1030","price":300.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/D1030_1.jpg?v=1642723922"},{"product_id":"used-akg-d112-microphones","title":"Used AKG D112 Microphones","description":"\u003cp\u003eLarge diaphragm drum mic\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":41496073633953,"sku":"112","price":160.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/D112_1.jpg?v=1642723928"},{"product_id":"used-tascam-da-30mkii-audioother","title":"Used Tascam DA-30MKII Audio Other","description":"\u003cp\u003eRackmount DAT Machine\u003c\/p\u003e\n\n\u003cp\u003eType: digital audio tape deck\u003c\/p\u003e\n\n\u003cp\u003eTrack System: 2-channel stereo\u003c\/p\u003e\n\n\u003cp\u003eTape Speed: 4.075, 8.15, 12.225 mm\/s\u003c\/p\u003e\n\n\u003cp\u003eRecording Time: 240 minutes\u003c\/p\u003e\n\n\u003cp\u003eHeads: 1000, 2000rpm, rotary\u003c\/p\u003e\n\n\u003cp\u003eSampling Frequency: 48, 44.1, 32kHz\u003c\/p\u003e\n\n\u003cp\u003eFrequency Response: 20Hz to 20kHz\u003c\/p\u003e\n\n\u003cp\u003eSignal to Noise Ratio: 92dB\u003c\/p\u003e\n\n\u003cp\u003eDynamic Range: 93dB\u003c\/p\u003e\n\n\u003cp\u003eChannel Separation: 85dB\u003c\/p\u003e\n\n\u003cp\u003eTotal Harmonic Distortion: 0.004%\u003c\/p\u003e\n\n\u003cp\u003eDigital Inputs: coaxial, AES\/EBU\u003c\/p\u003e\n\n\u003cp\u003eDigital Outputs: coaxial, AES\/EBU\u003c\/p\u003e\n\n\u003cp\u003eDimensions: 482 x 150.5 x 353mm\u003c\/p\u003e\n\n\u003cp\u003eWeight: 8.5kg\u003c\/p\u003e","brand":"Tascam","offers":[{"title":"Default Title","offer_id":41496077041825,"sku":"-30","price":900.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/DA-30MKII_1.jpg?v=1642723931"},{"product_id":"used-tascam-da-38-audioother","title":"Used Tascam DA-38 Audio Other","description":"\u003cp\u003e3 Available\u003c\/p\u003e\n\u003cp\u003e8 Track Digital Machine\u003c\/p\u003e\n\u003cp class=\"introtext\"\u003eCan Tascam's lean, mean DA38 offer musicians more functionality than the portlier DA88 without compromising on quality — and give the Alesis ADAT XT a run for its money? Paul White investigates.\u003c\/p\u003e\n\u003cp\u003eWhen the budget digital tape‑based multitrack war between the Alesis ADAT and Tascam DA88 finally died down to a mere skirmish, Alesis seemed to come out top in the project studio music recording market while the professional post‑production studios, on the whole, took the Tascam route. The reasons for this apparent demarcation are numerous, but price was obviously a major factor, and for the project studio owner, the lower street price of ADATs was obviously very attractive. The ADAT was also very musician‑friendly when coupled to a BRC remote controller, although the Tascam's much faster spooling speed and longer recording time made it better suited to video‑chasing than the relatively slow ADAT.\u003c\/p\u003e\n\u003ch2\u003e\u003ca id=\"para1\" href=\"https:\/\/www.soundonsound.com\/reviews\/tascam-da38#top\"\u003eEnter The DA38\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eSince then, Alesis have launched the ADAT XT with its faster wind speed and improved front panel functions, but Tascam have taken a different approach; instead of replacing the DA88, they've built a lower‑cost machine using the same underlying technology, and added certain features designed to attract the musician. These include a digital patchbay, allowing any input to be recorded to any tape track without repatching, and the ability to digitally copy audio data between tracks. What the DA38 loses is the ability to directly sync to external sources, though including a single DA88 in a multi‑machine system will provide a means to do so. The DA38 is also less modular than the DA88, so whereas the former can often be serviced in the field by changing boards, the DA38 is more likely to have to be returned for servicing.\u003c\/p\u003e\n\u003cp class=\"nindent\"\u003eIn common with the DA88, the 8‑track DA38 uses 8mm video‑style tape cassettes, and special formulations are now available optimised for digital audio recording. Up to 16 DA38s can be synchronised in a master\/slave arrangement for multitrack recording (giving up to 128 tracks) — and the DA38 will also integrate seamlessly into existing DA88 systems with no compatibility problems. Like its big brother, the DA38 has a shuttle wheel for identifying precise points on tape, and there's an auto punch‑in\/out system with a Rehearse mode and user‑selectable pre‑ and post‑roll for musicians working alone. Punching in or out creates a very short crossfade, so there are no glitches, clicks or gaps. It's also now possible to copy material from one track to another internally, so you can, for example, compile a perfect vocal track by 'cherry‑picking' the best parts from several takes on the other tracks. A small amount of track delay (‑4 to +150mS) can be dialled in to correct timing errors or to change the feel of a piece of music, and in a studio environment, multiple machines can be controlled from a RC848 or RC808 remote control unit. Professional users may be pleased to hear that the machine can be locked to an external Word Clock.\u003c\/p\u003e\n\u003ch2\u003e\u003ca id=\"para2\" href=\"https:\/\/www.soundonsound.com\/reviews\/tascam-da38#top\"\u003eFacilities\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp class=\"nindent\"\u003eSuperficially, the DA38 looks much like the DA88, with its 3U, beige‑coloured front panel. Around the back, you'll find a choice of unbalanced phonos or balanced 'D' connectors for plugging in to either pro or semi‑pro mixing consoles, while Tascam's own TDIF1 digital I\/O connector provides a means of transferring data in and out of the machine in the digital domain. Two further 'D' connectors are fitted for Remote Control\/Sync In and Sync Out. A multipin DIN connector allows you to connect the aforementioned RC808 remote controller, and for hands‑off punch‑in\/out, there's a footswitch jack which accepts the optional RC30P footswitch. This works a little differently to most systems — pressing the footswitch once puts the machine into Play mode, while pressing it again drops you into Record mode on any armed tracks. To end recording, you have to press the footswitch again, or press Stop. I tested this with a non‑latching switch I had lying around and it worked perfectly.\u003c\/p\u003e\n\u003cblockquote\u003eThe sound quality of the DA38 is up to the same very high standard as the DA88.\u003c\/blockquote\u003e\n\u003cp\u003eRecording may be carried out at either 44.1kHz or 48kHz sampling rates, and as with any digital machine, the tape must either first be formatted or formatted at the same time as you make a recording. The latter option is fine for live recording, where it is usual to record the whole tape in one go. I've already mentioned the ability to copy from one track to another in the digital domain for loss‑free compiling, but in a multiple‑machine setup, you can also offset one machine against another, which adds the flexibility of copying audio from one part of a song to another part of the song. This is also possible with ADAT, and is one of the great benefits of a multi‑machine digital recording system.\u003c\/p\u003e\n\u003cp\u003eWhereas an ADAT system will interrogate itself and automatically assign numbers to the machines in a multi‑machine system, DA38 ID numbers have to be set manually, though this is very easy, and need only be done once. Selecting Chase on a slave machine will cause it to follow and lock to the master, and a varispeed range of +\/‑ 6% is available in 0.1% steps.\u003c\/p\u003e\n\u003cp\u003eAnother benefit offered by the DA38 is the 'virtual slave reel' facility, where you can record a rough mix onto one track of a fresh tape and then post it to somebody on the other side of the world who might, for the sake of argument, fill the other seven tracks up with various guitar solos. When you get the tape back, you can transfer the tracks or parts of tracks that you want to keep to your session tapes, knowing that the new guitar parts will remain in perfect sync. Finally, if you have two machines, you can make perfect clones of your important tapes for increased backup security — a good move for anyone using digital recorders of any kind.\u003c\/p\u003e\n\u003cp\u003eFor work involving sequencers, you can of course record timecode onto one track of the DA38 , but this is rather wasteful. A better option if you have an MTC‑compatible sequencer is to use the relatively inexpensive MMC38 which provides MIDI Machine Control. This wasn't available at the time of this review, but is expected to be released later in the summer.\u003c\/p\u003e\n\u003cp\u003eTwo locate points, which can be keyed in or recorded 'on the fly', serve the dual functions of conventional locators and auto punch‑in\/out markers. An auto play mode can be invoked to put the machine straight into play after a location point has been reached, and you can also make the section between two markers repeat, which is a good way of rehearsing a tricky passage. For tuning and calibration purposes, the machine has an internal 440Hz (A) oscillator, and you can record this tone on tape for slating or test purposes.\u003c\/p\u003e\n\u003ch2\u003e\u003ca id=\"para3\" href=\"https:\/\/www.soundonsound.com\/reviews\/tascam-da38#top\"\u003eRecording Options\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp class=\"nindent\"\u003eRecording is very much like it is on an analogue recorder; individual track status switches put the selected tracks into Record mode, then record is initiated from the transport controls, via a remote controller or footswitch, or via auto punch‑in\/out. The shuttle wheel is particularly useful for locating difficult punch‑in\/out locations by ear. As with the DA88, various monitor modes are available to ensure that you always hear what you need to hear at the multitrack outputs. These modes are: All Input, Auto Input, Insert and Shuttle. All Input monitors all inputs regardless of record status, while Auto means that track monitoring is from the tape in Play, but directly from the input in Stop, Wind or Rec Ready modes. Insert is effectively the same as Auto except that in Rec Ready or Play modes, the track output is monitored off tape until Record mode is entered, at which point the track output switches to monitoring the input. The ability to monitor off tape during recording is due to the DA38's 4‑head drum layout. The outcome is much the same as using Auto Record mode on an ADAT — the monitoring switches from what you have on tape to the input signal when you punch into record, so you always hear the right signal over the monitors.\u003c\/p\u003e\n\u003cp\u003eShuttle lets you identify specific points by moving the tape back and forth manually via the Shuttle dial; the shuttling speed is variable from one quarter to eight times normal play speed, depending on how far you turn the dial.\u003c\/p\u003e\n\u003ch2\u003e\u003ca id=\"para4\" href=\"https:\/\/www.soundonsound.com\/reviews\/tascam-da38#top\"\u003eUsability\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp class=\"nindent\"\u003eThough it's quite a while since I used a DA88, the DA38 appears to have exactly the same feel, with a fast, positive transport, and seamless punching in and out. I don't think I'm wrong in saying that the Tascam DA38 and 88 shuttle faster than any comparable competitors by a significant margin. The front panel controls are clearly labelled and uncluttered, and though many of the buttons are dual‑function, the alternate function is clearly labelled in blue and accessed via a latching Shift key. I found the footswitch punch‑in and out option invaluable for recording guitar parts, and Tascam's little twist of using the footswitch to start the machine playing is actually quite useful.\u003c\/p\u003e\n\u003cblockquote\u003eIf you have no requirement to lock your multitrack to external timecode, the DA38 offers virtually all the functionality of the more costly DA88 at a significant cost saving.\u003c\/blockquote\u003e\n\u003cp\u003eI have no reservations about the sound quality of the DA38, which is up to the same very high standard as the DA88, and the metering is both positive and clearly visible. Monitoring is straightforward, and for most purposes it's easiest to leave the machine in Auto Input mode. Shuttle mode is very effective for locating precise points, and though the monitored sound is very 'chopped up' and glitchy, it's still easy to recognise what's going on.\u003c\/p\u003e\n\u003cp\u003eHaving front panel autolocate points is useful, but I feel that only two points is a little restrictive — something like 10 would have been more appropriate. Other than that, these work fine.\u003c\/p\u003e\n\u003ch2\u003e\u003ca id=\"para5\" href=\"https:\/\/www.soundonsound.com\/reviews\/tascam-da38#top\"\u003eThe Bottom Line\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp class=\"nindent\"\u003eWith a street price close to that of the ADAT XT, the DA38 is an extremely attractive machine [\u003cem\u003ejust as\u003c\/em\u003e SOS \u003cem\u003ewas going to press, we heard that the price of the ADAT XT has been cut by £500 to £2699 including VAT — Assistant Ed\u003c\/em\u003e]. However, the main factor affecting a purchase decision is arguably that of compatibility. If you work in an area where the DA88 is already prevalent, the DA38 assures you of full compatibility; but if you're operating in a sector of the music market where the ADAT format predominates, then you need to consider the ramifications. For example, how many projects do you carry through from start to finish, and how many do you either take over when they are part of the way through, or pass on to other facilities to finish? Having made that point, I know a number of project studio owners who use DA88s and who are supremely happy with the marketability of their adopted format.\u003c\/p\u003e\n\u003cp\u003eOnce these questions are decided, the issue becomes clearer, and if you have no requirement to lock your multitrack to external timecode, such as from a video machine, the DA38 offers virtually all the functionality of the more costly DA88 at a significant cost saving. Similarly, if you already own a DA88, a DA38 can be used as a slave machine, which retains the DA88's ability to sync to timecode, so the only remaining area of concern is that of ease of service. While a semi‑pro musician can probably live without a machine for a few days while it goes away for service, the busy professional may find this situation less acceptable. Then again, you could argue that at this low cost, the professional could afford to keep a spare or two.\u003c\/p\u003e\n\u003cp\u003eWhatever your feeling about the two major modular digital multitrack formats, the keen pricing of the DA38 means that you're no longer forced to make a choice of format entirely on the basis of price — the DA38 puts you in the position where you can make the right choice for the right reasons. Whichever way you look at it, this is a very serious machine for the money, and indicates an aggressive marketing thrust by Tascam to gain more ground in the music recording sector.\u003c\/p\u003e\n\u003cdiv class=\"boxout clearfix\"\u003e\n\u003ch2\u003e\u003ca id=\"para6\" href=\"https:\/\/www.soundonsound.com\/reviews\/tascam-da38#top\"\u003eDiagnostics\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eBecause of the error correction systems used in digital recorders to reconstruct recording and playback errors, there is usually little sign of a developing problem before something catastrophic happens. The DA38 helps you keep on top of this potential problem by incorporating an error readout mode which shows the error rate per rotation of the head drum. You can also check how many hours the head drum has been running, as well as seeing how long the machine has spent in fast wind mode. It is recommended that the machine be cleaned every 50 hours or so, and serviced every 500 hours.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"boxout clearfix\"\u003e\n\u003ch2\u003e\u003ca id=\"para7\" href=\"https:\/\/www.soundonsound.com\/reviews\/tascam-da38#top\"\u003eSpecification\u003c\/a\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eTape Type: Hi‑8 ME or MP\u003c\/li\u003e\n\u003cli\u003eRecording Time: 108 minutes with NTSC 120 tape, 113 minutes with PAL 90 tape\u003c\/li\u003e\n\u003cli\u003eFast Wind Speed: 100 times play speed\u003c\/li\u003e\n\u003cli\u003eShuttle Speed: One quarter to eight times play speed\u003c\/li\u003e\n\u003cli\u003eDigital I\/O: TDIF1 (TEAC Digital Audio Interface Format) 25‑way 'D'‑sub\u003c\/li\u003e\n\u003cli\u003eAnalogue Input: Balanced 25‑way 'D'‑sub at +4dBu, plus unbalanced phonos at ‑10dBV\u003c\/li\u003e\n\u003cli\u003eSampling Rates: 44.1kHz and 48kHz\u003c\/li\u003e\n\u003cli\u003eQuantisation: 16‑bit linear\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 20Hz to 20kHz +\/‑ 0.5dB\u003c\/li\u003e\n\u003cli\u003eDynamic Range: Better than 92dB\u003c\/li\u003e\n\u003cli\u003eSignal‑to‑Noise Ratio: Better than 92dB\u003c\/li\u003e\n\u003cli\u003eTHD: Less than 0.008%\u003c\/li\u003e\n\u003cli\u003eCrosstalk: Better than 90dB @ 1kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"boxout clearfix\"\u003e\n\u003ch2\u003e\u003ca id=\"para8\" href=\"https:\/\/www.soundonsound.com\/reviews\/tascam-da38#top\"\u003eAll Of A Dither\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eThe DA38 uses an 18‑bit analogue‑to‑digital quantisation system, but records using only 16 bits, so the incoming data has to be reduced to a 16‑bit format before it can be recorded. It is also possible to feed in audio at 24‑bit resolution via the TDIF1 digital input, but again, this must be reduced to 16 bits before it can be used. If data is simply truncated by throwing away the least significant bits, the resolution of low‑level signals is compromised, so a dithering process is used to maintain the dynamic range at the expense of a slight increase in low‑level noise. Dithering may be disabled by the DA38 user if required, but in virtually all circumstances, dithered audio sounds better than undithered audio.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"proscons\"\u003e\n\u003cdiv class=\"pros\"\u003e\n\u003ch3\u003ePros\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFast, smooth transport.\u003c\/li\u003e\n\u003cli\u003eExcellent sound quality.\u003c\/li\u003e\n\u003cli\u003eRelatively inexpensive to add MTC and MMC via the optional MMC38.\u003c\/li\u003e\n\u003cli\u003eInternal digital routing and track bouncing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cons\"\u003e\n\u003ch3\u003eCons\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eOnly two locate points.\u003c\/li\u003e\n\u003cli\u003eCan't be synchronised to external timecode unless connected as part of a DA88 system.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"summary\"\u003e\n\u003ch3\u003eSummary\u003c\/h3\u003e\n\u003cp\u003eTascam have retained all the key features of the DA88 except external sync, and even added a few more musician‑friendly functions, while significantly lowering the price.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Tascam","offers":[{"title":"Default Title","offer_id":41496077729953,"sku":"-38","price":400.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/DA-38_1.jpg?v=1642723935"},{"product_id":"used-digiflex-db25-5f-audioother","title":"Used Digiflex DB25-5F Audio Other","description":"\u003cp\u003eCanare L2E5C DB25 to NC3FX DA88 5ÕFanouts\u003c\/p\u003e","brand":"Digiflex","offers":[{"title":"Default Title","offer_id":41496078090401,"sku":"255","price":50.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/DB25-5F_1.jpg?v=1642723939"},{"product_id":"used-digiflex-db25-5m-audioother","title":"Used Digiflex DB25-5M Audio Other","description":"\u003cp\u003eCanare L2E5C DB25 to NC3MX DA88 5ÕFanouts\u003c\/p\u003e","brand":"Digiflex","offers":[{"title":"Default Title","offer_id":41496078418081,"sku":"255","price":50.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/DB25-5M_1.jpg?v=1642723942"},{"product_id":"used-digiflex-dd24-4x-150-audioother","title":"Used Digiflex DD24-4X-150 Audio Other","description":"\u003cp\u003e150' 24 chan snake with 4  XLR returns\u003c\/p\u003e","brand":"Digiflex","offers":[{"title":"Default Title","offer_id":41496079368353,"sku":"244150","price":1300.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/DD24-4X-150_1.jpg?v=1642723948"},{"product_id":"used-digiflex-dd32-8x-150-audioother","title":"Used Digiflex DD32-8X-150 Audio Other","description":"\u003cp\u003e150' 32 chan snake with 8  XLR returns\u003c\/p\u003e","brand":"Digiflex","offers":[{"title":"Default Title","offer_id":41496079925409,"sku":"328150","price":1900.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/DD32-8X-150_1.jpg?v=1642723953"},{"product_id":"used-soundcraft-delta-dlx-32-mixingconsoles","title":"Used Soundcraft Delta DLX 32 Mixing Consoles","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e*\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: 0.875rem;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 0.875rem;\"\u003eNote that these Soundcraft consoles are 20+ years old, there will be some noisy pot’s, switches and faders.  They are also large so shipping can run upwards of $650 USD \u003c\/span\u003ewithin\u003cspan style=\"font-size: 0.875rem;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 0.875rem;\"\u003e North America.  Contact us for an accurate shipping cost\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e32x4 Console, including flightcase\u003c\/p\u003e\n\u003cp\u003eThe Delta DLX series comprises a range of input module, output module and frame options which allow the user to configure the console for a wide variety of applications. The only constraints on the selection and positioning of modules are firstly that the console must have a master module (2 channels width) which must be fitted at the right hand side of the console, and secondly that any group output modules fitted must be positioned immediately to the left of this.\u003cbr\u003e¥ Multiple application design\u003cbr\u003e¥ Available in rack mount form\u003cbr\u003e¥ LED indication on many switches\u003cbr\u003e¥ Mono, stereo or dual input channels\u003cbr\u003e¥ 6 aux sends on mono inputs\u003cbr\u003e¥ 4-bus design\u003c\/p\u003e","brand":"Soundcraft","offers":[{"title":"Default Title","offer_id":41496080056481,"sku":"32","price":1000.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/Delta_DLX_32_1.jpg?v=1642723955"},{"product_id":"used-soundcraft-delta32-mixingconsoles","title":"Used Soundcraft Delta32 Mixing Consoles","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e*\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: 0.875rem;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 0.875rem;\"\u003eNote that these Soundcraft consoles are 20+ years old, there will be some noisy pot’s, switches and faders.  They are also large so shipping can run upwards of $650 USD \u003c\/span\u003ewithin\u003cspan style=\"font-size: 0.875rem;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 0.875rem;\"\u003e North America.  Contact us for an accurate shipping cost\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e32x4 Console, including flightcase.\u003c\/p\u003e\n\u003cp\u003ehe Delta series comprises a range of input module, output module and frame options which allow the user to configure the console for a wide variety of applications. The only constraints on the selection and positioning of modules are firstly that the console must have a master module (2 channels width) which must be fitted at the right hand side of the console, and secondly that any group output modules fitted must be positioned immediately to the left of this.\u003cbr\u003e¥ Multiple application design\u003cbr\u003e¥ Available in rack mount form\u003cbr\u003e¥ LED indication on many switches\u003cbr\u003e¥ Mono, stereo or dual input channels\u003cbr\u003e¥ 6 aux sends on mono inputs\u003cbr\u003e¥ 4-bus design\u003c\/p\u003e","brand":"Soundcraft","offers":[{"title":"Default Title","offer_id":41496081858721,"sku":"32","price":750.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/Delta32_1.jpg?v=1642723963"},{"product_id":"used-drawmer-dl251-processing","title":"Used Drawmer DL251 Vintage Spectral Compressor w\/ Enhance","description":"\u003cp\u003eDual-Channel Spectral Compressor\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eEnhance your sound while you commpress. With a DL Series compressor in your studio you'll enjoy seamless compression - with no loss of sound in the high frequencies. The DL Series incorporates Drawmer's original \"Auto-Compressor\" circuitry, which gives you optimal results in minimal setup time, but doesn't compromise your skill with limited controls. The DL251 eliminates the \"high frequency cutting\" problems of full-band compressors by use of \"Dynamic Spectral Enhancement\" feature. It restores your high frequencies and adds additional \"Spectral Energy\" for that extra sonic spark. The DL241 Auto-Compressor uses many automatic functions, letting you concentrate on the overall performance and feel rather than the equipment. The result is smooth, warm and transparent audio.\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e*2 channel, 1 rack unit Spectral Auto\/Manual Compressor\u003c\/li\u003e\n\u003cli\u003e*Spectral enhance to restore high frequency under heavier compression.\u003c\/li\u003e\n\u003cli\u003e*Proprietary auto compressor with slope based attack and envelope following release\u003c\/li\u003e\n\u003cli\u003e*Manual attack and release control\u003c\/li\u003e\n\u003cli\u003e*Zero overshoot limiter (+20dB)\u003c\/li\u003e\n\u003cli\u003e*Dual VCA stages one for compression, one for enhance\u003c\/li\u003e\n\u003cli\u003e*Integrated circuit VCA for compression\u003c\/li\u003e\n\u003cli\u003e*Proprietary FET based discrete VCA for enhance\u003c\/li\u003e\n\u003cli\u003e*Proprietary log level detector (not RMS)\u003c\/li\u003e\n\u003cli\u003e*Side chain input\u003c\/li\u003e\n\u003cli\u003e*+4\/-10 operation, individually selectable each channel\u003c\/li\u003e\n\u003cli\u003e*XLR inputs and outputs\u003c\/li\u003e\n\u003cli\u003e*1\/4in sidechain insert jacks on each channel\u003c\/li\u003e\n\u003cli\u003e*Hard or Soft knee selectable\u003c\/li\u003e\n\u003cli\u003e*Attack and Release auto switch\u003c\/li\u003e\n\u003cli\u003e*Sidechain insert listen function\u003c\/li\u003e\n\u003cli\u003e*Bypass switch\u003c\/li\u003e\n\u003cli\u003e*10 segment LED metering on output lvl \u0026amp; gain reduction\u003c\/li\u003e\n\u003cli\u003e*Dynamic Spectral Enhancement feature\u003c\/li\u003e\n\u003cli\u003e*Peak limiter control\u003c\/li\u003e\n\u003cli\u003e*Stereo linkable\u003c\/li\u003e\n\u003cli\u003e*1 unit rack space\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Drawmer","offers":[{"title":"Default Title","offer_id":41496082088097,"sku":"251","price":650.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/DL251_1.jpg?v=1642723967"},{"product_id":"used-electro-voice-dmc-1152a-processing","title":"Used Electro-Voice DMC-1152A Processing","description":"\u003cp\u003e4 Available\u003c\/p\u003e\n\u003cp\u003eDeltaMax processor 2-way x-over with limiters, \u0026amp; Eq\u003c\/p\u003e","brand":"Electro-Voice","offers":[{"title":"Default Title","offer_id":41496087953569,"sku":"-1152","price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/DMC-1152A_1.jpg?v=1642723979"},{"product_id":"used-electro-voice-dmc-1152b-processing","title":"Used Electro-Voice DMC-1152B Processing","description":"\u003cp\u003e10 Available\u003c\/p\u003e\n\u003cp\u003eDeltaMax processor 2-way x-over with limiters, \u0026amp; Eq\u003c\/p\u003e","brand":"Electro-Voice","offers":[{"title":"Default Title","offer_id":41496089493665,"sku":"-1152","price":250.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/DMC-1152B_1.jpg?v=1642723992"},{"product_id":"used-electro-voice-dms-2181p-loudspeakers","title":"Used Electro-Voice DMS-2181P Loudspeakers","description":"\u003cp\u003e7 Available\u003c\/p\u003e\n\u003cp\u003eDouble 18\" Bass manifold, processed, 2,000 watts\u003c\/p\u003e\n\u003cp\u003eDeltaMax Low-Frequency,\u003cbr\u003eElectronically Controlled\u003cbr\u003eSound-Reinforcement\u003cbr\u003eSpeaker System\u003cbr\u003e¥ Dual 18-inch enclosure\u003cbr\u003e¥ EVX-180A woofer with almost 3-dB\u003cbr\u003eadditional IF output capability\/reduced\u003cbr\u003edistortion\u003cbr\u003e¥ 1,200-watt long-term power handling\u003cbr\u003e¥ New flying system\u003cbr\u003e¥ 36- to 100-Hz operating range\u003cbr\u003e¥ Alternative new grill design\u003cbr\u003e¥ Frontal dimensions equal to DMS-1183\/64\u003c\/p\u003e","brand":"Electro-Voice","offers":[{"title":"Default Title","offer_id":41496090542241,"sku":"-2181","price":1800.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/DMS-2181P_1.jpg?v=1642724006"},{"product_id":"used-klark-teknik-dn300-processing","title":"Used Klark Teknik DN300 Processing","description":"\u003cp\u003e12 Available\u003c\/p\u003e\n\u003cp\u003eSingle channel, 30-band, 1\/3 octave equalizer\u003c\/p\u003e\n\u003cp\u003eKlark Teknik DN300 Single channel, 30-band, 1\/3 octave. Proprietary circuit designs utilising ÒMELTÓ filters giving unbeatable performance. Comprehensive standard specifications include electronically balanced input and LED overload indicator. Earth lift switch enables signal and chassis grounds to be isolated eliminating ground loop problems. Adjustable high and low cut 12dB\/octave shelving filters with selectable 6\/12dB per octave high cut slope. Equalisation by-pass allowing easy comparison between direct and equalised signals. Perspex and brushed aluminium security covers are available to order, for use in permanent sound installations where system calibration has taken place. The DN300 is sturdily constructed throughout and complies with standard 19Ó 2U rack mounting requirements.\u003c\/p\u003e","brand":"Klark Teknik","offers":[{"title":"Default Title","offer_id":41496091033761,"sku":"300","price":300.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/DN300_1.jpg?v=1642724012"},{"product_id":"used-klark-teknik-dn301-processing","title":"Used Klark Teknik DN301 1\/3 Octave equalizer","description":"\u003cp\u003eOnly 1 left!\u003c\/p\u003e\n\u003cp\u003e1\/3 Octave equalizer, cut only\u003c\/p\u003e","brand":"Klark Teknik","offers":[{"title":"Default Title","offer_id":41496091361441,"sku":"301","price":250.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/DN301_1.jpg?v=1642724015"},{"product_id":"used-klark-teknik-dn360-processing","title":"Used Klark Teknik DN360 Dual 30 Band Equaliser","description":"\u003cp\u003e41 Available\u003c\/p\u003e\n\u003cp\u003eDual 30 Band, 1\/3 Octave Analogue Graphic Equaliser with Classic Proportional-Q Response\u003c\/p\u003e","brand":"Klark Teknik","offers":[{"title":"Default Title","offer_id":41496091656353,"sku":"360","price":350.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/DN360_1.jpg?v=1642724018"},{"product_id":"used-klark-teknik-dn3600-processing","title":"Used Klark Teknik DN3600 Programable Stereo 1\/3 Octave equalizer","description":"\u003cp\u003e5 Available\u003c\/p\u003e\n\u003cp\u003eProgramable Stereo 1\/3 Octave equalizer\u003c\/p\u003e\n\u003cp\u003eThe Klark Teknik DN3600 Programmable Graphic Equalizer is a quality, digitally controlled, two-channel, third-octave, 30 band equalizer that combines state-of-the-art audio performance with unprecedented ease of use in a two rack-space unit.\u003c\/p\u003e\n\u003cp\u003eFeatures: \u003cbr\u003e¥ Dual channel, third-octave graphic equalizer. \u003cbr\u003e¥ Tunable notches and sweepable low and high pass filters. \u003cbr\u003e¥ Large, backlit Supertwist LCD display with virtual fader and actual curve display modes.\u003cbr\u003e¥ 30 Tactile switches for instant access to virtual faders.\u003cbr\u003e¥ DN360 and DN27 emulations with Klark Teknik's proprietary combining filter characteristics. \u003cbr\u003e¥ Auto gain-ranging to maintain headroom. \u003cbr\u003e¥ 66 Memories for EQ settings.\u003cbr\u003e¥ Soft crossfade between memories.\u003cbr\u003e¥ Ability to address up to 64 slave units.\u003cbr\u003e¥ Pro MIDI interface for Master\/Slave setups and system exclusive bulk dumps.\u003cbr\u003e¥ Revised MELT hybrid filter circuits give exceptional headroom and dynamic range.\u003cbr\u003e¥ 10-Segment bargraph level meters plus clip warning monitoring the signal at 7 different points.\u003cbr\u003e¥ Inputs and outputs electronically balanced-transformer balancing is an option.\u003cbr\u003e¥ Failsafe relay bypass\u003c\/p\u003e","brand":"Klark Teknik","offers":[{"title":"Default Title","offer_id":41496091918497,"sku":"3600","price":500.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/DN3600_1.jpg?v=1642724022"},{"product_id":"used-klark-teknik-dn3603-processing","title":"Used Klark Teknik DN3603 Processing","description":"\u003cp\u003eOnly 1 left!\u003c\/p\u003e\n\u003cp\u003eDocking Station for DN3698\u003c\/p\u003e","brand":"Klark Teknik","offers":[{"title":"Default Title","offer_id":41496092213409,"sku":"3603","price":300.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/products\/DN3603_1.jpg?v=1642724024"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8088\/3105\/collections\/Audio.jpg?v=1619893037","url":"https:\/\/shop.soundart.com\/collections\/audio.oembed?page=32","provider":"Sound Art Used Gear","version":"1.0","type":"link"}